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Boris Eifman: BEYOND SIN

Za hranicami hriechu / Bratia Karamazovovci
The first staging of Boris Eifman in Slovakia

Friday 17. November 2017 - 19:00, Premiere, Hall of Opera and Ballet, the new building of SND



Saturday 25. November 2017 - 19:00 Detail Buy the ticket
Saturday 16. December 2017 - 17:00 Detail Buy the ticket
Saturday 13. January 2018 - 18:00 Detail Buy the ticket
Tuesday 6. February 2018 - 19:00 Detail Buy the ticket
Saturday 7. April 2018 - 19:00 Detail Buy the ticket
Saturday 9. June 2018 - 19:00 Detail Buy the ticket
   

Premiere: 17 and 18 November 2017 New Building, Opera and Ballet Stage

Music: Richard Wagner, Modest Petrovič Musorgskij, Sergej Rachmaninov
Choreography, libretto and directed : Boris Eifman
Musikalische Einstudierung : Branislav Kostka
Dirigenten : Branislav Kostka
Bühne und Kostüme : Viacheslav Okunev
Alexey Donde
Larisa Ivuskhyna
Adrian Szelle
Andrej Szabo
Jonatan Lujan
Silvia Najdená
Viacheslav Krut
Monika Lehocká
Viola Mariner, Tatum Shoptaugh, Alexandra Shalimova, Klaudia Görözdös, Victoria Zinovieva
Alexandra Shalimova, Katarína Košíková, Tatum Shoptaugh, Klaudia Görözdös, Helene Ziener, Valéria Stašková, Sarah Millner, Zsóka Tallósiová, Luana Brunetti, Victoria Zinovieva, Sakura Shojima, Sumire Shojima, Chiaki Honda, Margaux Bortoluzzi
Kristian Achberger, Damián Šimko, Raphael Schuster, Aliaksei Kavaleuski, Marek Bobošík, Glen Lambrecht, Evgenii Korsakov, Jean - Michel Reuter, Mergim Veselaj, Arthur Sai ako hosť, Diego Ernesto Calderon Armien, Marián Kuchár
Svetlana Michalec Rymarenko ako hosť
Robert Roth
Jaroslav Konečný, Dávid Bílek ako hosť, Jozef Sivák ako hosť
Arpád Patkoló
zbor a orchester Opery SND, žiaci tanečného konzervatória Evy Jaczovej v Bratislave

The season will culminate with the première of Beyond Sin from the repertoire of the world famous Eifman Ballet. The production shall be the first staging of their work in Slovakia. In the spirit of the contemporary prodigy of choreography Boris Eifman, the production presents a psychological ballet, an attempt to create a dance equivalent to Dostoyevsky´s masterpiece The Brothers Karamazov. The novel inspired the production about the destructive passions and eternal struggle between God and Devil. The choreographic insight into the souls of the main characters enables us to follows the storyline of the novel with its leitmotif: /If there is no God, then everything is on line with law.” The author paraphrases it from contemporary perspective: “God does exist, and yet everything happens in line with law.”

The captivating choreography enhanced by the three musical giants of the 20th – Wagner, Mussorgsky and Rachmaninov, impressive set and interpretative challenge offer a promise of an unusual experience.


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